Posted 40 minutes ago

dazedoaf:

laughterbynight:

jtgjosh:

LETS GET SUPER SPOOOOOOOOPY

get spoopy with meh

My blog is going to be this shit until November. Now’s the time to escape if you want.

guavasaur

Posted 23 hours ago

disneyismyescape:

carry-on-until-its-gone:

wish-upon-the-disney-star:

This scene is SO important. Maleficent is with someone she trusts, someone she considers a friend. And then the next thing she knows, she wakes up in pain, bleeding, with her wings burned off. A huge part of her has been destroyed.

Rape is so prominent in our culture that it is in a Disney movie. Maybe not explicitly, but it is very clear what this scene represents and it is so sad.

I fucking cried my eyes out during this scene

AJ even confirmed that this is what this scene was a metaphor for (x) - just because i saw someone say today that this is not what this scene is about

'We were very conscious that it was a metaphor for rape': The actress explained how the scene in which her character has her wings ripped off her body while in a drug-induced sleep had to be something 'so violent and aggressive' that it would make her 'lose all sense of her maternity, her womanhood and her softness' 

(Source: bbuchanann)

Posted 23 hours ago
Posted 23 hours ago

lalalapetitemort:

if you wannabe my lover, you gotta get with my feminist ideologies

Posted 23 hours ago

mamamidnight:

hobo-golden:

I’m so sorry but its just that time of year

so totally not soorrryyyy YHEAAAA!!!!!!!!!

Gotta love TheLivingTombstone.

Posted 5 days ago

misscarletwitch:

wxrdens:

ofbard:

OH MY GOD

t

I’M IN THIS ONE TOO WHAT THE FUCK

(Source: wadewilsn)

Posted 5 days ago
Posted 1 week ago

castleramblings:

"Thus explaining why there is no Mrs. Esposito."

(Source: alininha23)

Posted 1 week ago
Posted 1 week ago

bluedogeyes:

Janelle Monáe’s Archandroid by Chad Weatherford

"Here’s a small fraction of work I did for Janelle Monáe’s Archandroid album. The crown and armor was sketched out roughly by me, and then built by Hollywood prop-maker Jessee Clarkson out in L.A. I believe he infused some elegance to the design. The gown was fabricated by Jeff Gillies in Atlanta based on these sketches. 

The final crown was pushed more towards a gold ‘regal’ look throughout the process, reflected in the final product (as opposed to the sketches). Also, the album cover image of the crown and armor was a composite, using photos taken of Janelle in costume by Andrew Zaeh, and pumping it up with additional details and lights. The earrings were painted on.”